which english artist and poet suggested that drawing is a fundamental artistic skill?

Abstract Expressionism

The designation 'Abstract Expressionism' encompasses a wide variety of American 20th-century art movements in abstruse art. Also known equally The New York School, this movement includes large painted canvases, sculptures and other media besides. The term 'activity painting' is associated with Abstract Expressionism, describing a highly dynamic and spontaneous application of vigorous brushstrokes and the furnishings of dripping and spilling pigment onto the sheet.

Fine art Deco

Emerging in France before the First World War, Art Deco exploded in 1925 on the occasion of the Exposition des Arts Décoratifs (Exhibition of Decorative Arts). Blurring the line betwixt unlike mediums and fields, from architecture and piece of furniture to clothing and jewelry, Art Deco merged mod aesthetic with adept craftsmanship, advanced technology, and elegant materials.

Art Nouveau

A decorative mode that flourished between 1890 and 1910 throughout Europe and the U.Due south. Fine art Nouveau, as well called Jugendstil (Germany) and Sezessionstil (Austria), is characterized by sinuous, asymmetrical lines based on organic forms. Although information technology influenced painting and sculpture, its master manifestations were in architecture and the decorative and graphic arts, aiming to create a new way, free of the imitative historicism that dominated much of 19th-century art movements and design.

Avant-garde

In French, avant-garde ways "advanced guard" and refers to innovative or experimental concepts, works or the group or people producing them, peculiarly in the realms of culture, politics, and the arts.

Baroque

The term Bizarre, derived from the Portuguese 'barocco' meaning 'irregular pearl or rock', is a motility in art and compages developed in Europe from the early seventeenth to mid-eighteenth century. Baroque emphasizes dramatic, exaggerated motility and clear, easily interpreted, detail, which is a far cry from Surrealism, to produce drama, tension, exuberance, and grandeur.

Bauhaus

The school of fine art and design was founded in Germany by Walter Gropius in 1919 and close downward past the Nazis in 1933. The faculty brought together artists, architects, and designers, and developed an experimental pedagogy that focused on materials and functions rather than traditional fine art schoolhouse methodologies. In its successive incarnations in Weimar, Dessau, and Berlin, it became the site of influential conversations about the role of modern art and design in lodge.

Classicism

The principles embodied in the styles, theories, or philosophies of the different types of art from aboriginal Greece and Rome, concentrating on traditional forms with a focus on elegance and symmetry.

CoBrA

Founded in 1948 in Paris, CoBrA was a short-lived all the same ground-breaking post-war grouping gathering international artists who advocated spontaneity equally a means to create a new society. The name 'CoBrA' is an acronym for the home cities of its founders, respectively Copenhagen, Brussels and Amsterdam.

Color Field Painting

Often associated with Abstract Expressionism, the Colour Field painters were concerned with the utilise of pure abstraction but rejected the active gestures typical of Action Painting in favor of expressing the sublime through large and flat surfaces of contemplative color and open compositions.

Read more than virtually Color Field Painting.

Conceptual art

Conceptual art, sometimes simply called conceptualism, was ane of several 20th-century fine art movements that arose during the 1960s, emphasizing ideas and theoretical practices rather than the cosmos of visual forms. The term was coined in 1967 by the creative person Sol LeWitt, who gave the new genre its name in his essay "Paragraphs on Conceptual Fine art," in which he wrote, "The idea itself, even if non made visual, is as much a work of fine art as any finished product."

Constructivism

Developed by the Russian advanced effectually 1915, constructivism is a co-operative of abstract art, rejecting the idea of "fine art for art's sake" in favour of art as a practice directed towards social purposes. The move's piece of work was generally geometric and accurately composed, sometimes through mathematics and measuring tools.

Cubism

An artistic motility began in 1907 by artists Pablo Picasso and Georges Braque who developed a visual linguistic communication whose geometric planes challenged the conventions of representation in unlike types of fine art, past reinventing traditional subjects such as nudes, landscapes, and still lifes equally increasingly fragmented compositions.

Dada / Dadaism

An artistic and literary motion in art formed during the First World State of war every bit a negative response to the traditional social values and conventional artistic practices of the different types of art at the fourth dimension. Dada artists represented a protestation move with an anti-institution manifesto, sought to betrayal accepted and ofttimes repressive conventions of order and logic by shocking people into cocky-sensation.

Digital Art

Digital Fine art broadly covers a variety of artistic practices that employ unlike electronic technologies and effect in a last product that is as well digital. From figurer graphics to virtual reality, from artificial Intelligence to NFT technology, the Digital Art spectrum is wide, innovative, and under the spotlight of the contemporary art market.

Expressionism

Expressionism is an international creative motility in fine art, architecture, literature, and performance that flourished between 1905 and 1920, especially in Germany and Austria, that sought to limited the meaning of emotional experience rather than physical reality. Conventions of the expressionist manner include baloney, exaggeration, fantasy, and vivid, jarring, tearing, or dynamic application of color in order to express the artist's inner feelings or ideas.

Fauvism

Coined by the critic Louis Vauxcelles, Fauvism (French for "wild beasts") is ane of the early 20th-century fine art movements. Fauvism is associated especially with Henri Matisse and André Derain, whose works are characterized by strong, vibrant colour and bold brushstrokes over realistic or representational qualities.

Futurism

Fairly unique among different types of art movements, it is an Italian development in abstract art and literature, founded in 1909 by Filippo Tommaso Marinetti, aiming to capture the dynamism, speed and energy of the modernistic mechanical world.

Harlem Renaissance

Emerged later on the Beginning Earth War in the predominantly African-American neighbourhood Harlem in New York, the Harlem Renaissance was an influential move of African-American art spanning visual arts, literature, music, and theatre. The artists associated with the movement rejected stereotypical representations and expressed pride in black life and identity.

Impressionism

Impressionism is a 19th-century art movement, associated especially with French artists such as Claude Monet, Pierre Auguste Renoir, Camille Pissarro and Alfred Sisley, who attempted to accurately and objectively record visual 'impressions' by using small, sparse, visible brushstrokes that coagulate to form a unmarried scene and emphasize movement and the changing qualities of light.

Installation Art

Installation fine art is a movement adult at the same time as pop fine art in the late 1950s, which is characterized by large-scale, mixed-media constructions, often designed for a specific place or for a temporary menstruation of fourth dimension. Often, installation art involves the creation of an enveloping aesthetic or sensory experience in a particular environment, ofttimes inviting agile engagement or immersion by the spectator.

Country Art

Land art, also known as World art, Ecology art and Earthworks, is a simple art motility that emerged in the 1960s and 1970s, characterized past works fabricated directly in the landscape, sculpting the country itself into earthworks or making structures in the landscape using natural materials such as rocks or twigs. It could be seen as a natural version of installation art. Land art is largely associated with Bully Uk and the The states but includes examples from many countries.

Minimalism

Another 1 of the art movements from the 1960s, and typified by works equanimous of simple art, such as geometric shapes devoid of representational content. The minimal vocabulary of forms made from humble industrial materials challenged traditional notions of craftsmanship, the illusion of spatial depth in painting, and the idea that a work of abstruse fine art must be one of a kind.

Neo-Impressionism

A term applied to an avant-garde fine art movement that flourished principally in France from 1886 to 1906. Led past the case of Georges Seurat and Paul Signac, Neo-Impressionists renounced the spontaneity of Impressionism in favour of a measured and systematic painting technique known equally pointillism, grounded in scientific discipline and the study of optics.

Neoclassicism

Almost the opposite of pop art in terms of inspiration, this manner is one that arose in the second half of the eighteenth century in Europe, cartoon inspiration from the classical art and culture of Ancient Greece and Ancient Rome, which is not uncommon for art movements.

Neon Art

In the 1960s, Neon Art turned a commercial medium employed for advertizement into an innovative artistic medium. Neon lighting immune artists to explore the relationship between light, colour, and space while tapping into popular culture imagery and consumerism mechanisms.

Op Art

Op Fine art is an abbreviation of optical art, a course of geometric abstract art that explores optical sensations through the use of visual furnishings such as repetition of unproblematic forms, vibrating colour-combinations, moiré patterns, foreground-background confusion, and an exaggerated sense of depth. Op Art paintings and works apply tricks of visual perception like manipulating rules of perspective to give the illusion of 3-dimensional space.

Performance Art

A term that emerged in the 1960s to depict different types of art that are created through actions performed by the creative person or other participants, which may be live or recorded, spontaneous or scripted. Functioning challenges the conventions of traditional forms of visual art such every bit painting and sculpture past embracing a variety of styles such as happenings, body art, actions, and events.

Pop Art

Popular Art emerged in the 1950s and was composed of British and American artists who draw inspiration from 'popular' imagery and products from commercial culture as opposed to 'elitist' fine art. Popular art reached its pinnacle of activity in the 1960s, emphasizing the bland or kitschy elements of everyday life in such forms as mechanically reproduced silkscreens, big-calibration facsimiles, and soft popular fine art sculptures.

Post-Impressionism

'Post-Impressionism' is a term coined in 1910 by English art critic and painter Roger Fry to draw the reaction against the naturalistic depiction of lite and colour in Impressionism. Artists like Paul Cézanne, Paul Gauguin, and Vincent van Gogh developed a personal mode although unified past their interest in expressing their emotional and psychological responses to the world through bold colours and oft symbolic images.

Precisionism

Precisionism was the first real indigenous modern art movement in the United States and contributed to the ascent of American Modernism. Taking its cues from Cubism and Futurism, Precisionism was driven by a desire to bring structure dorsum to art and historic the new American mural of skyscrapers, bridges and factories.

Rococo

Rococo is a movement in art, specially in architecture and decorative art, that originated in France in the early 1700s. Rococo art characteristics consist of elaborate ornamentation and a light, sensuous mode, including scrollwork, foliage, and animate being forms.

Street Art

Evolving from early forms of graffiti, Street Art is a thought-provoking art movement that emerged in the 1960s and peaked with the spray-painted New York subway railroad train murals of the 1980s. Street artists use urban spaces as their canvas, turning cities around the globe into open sky museums and have often found their way into the mainstream art world.

Surrealism

Founded by the poet André Breton in Paris in 1924, Surrealism was an artistic and literary move that was active through World War II. The master goal of Surrealism painting and Surrealism artworks was to liberate thought, language, and human experience from the oppressive boundaries of rationalism by championing the irrational, the poetic and the revolutionary.

Suprematism

Establish to be a relatively unknown member of the different types of abstract fine art movements, outside of the art world that is. A term coined by Russian artist Kazimir Malevich in 1915 to describe an abstract style of painting that conforms to his belief that art expressed in the simplest geometric forms and dynamic compositions was superior to before forms of representational art, leading to the "supremacy of pure feeling or perception in the pictorial arts."

Southwardymbolism

Symbolism emerged in the 2nd half of the xix^th century, mainly in Catholic European countries where industrialisation had developed to a slap-up degree. Starting every bit a literary movement, Symbolism was shortly identified with a young generation of painters who wanted art to reverberate emotions and ideas rather than to represent the natural world in an objective way, united by a shared pessimism and weariness of the decadence in modern society.

Nothing Grouping

Emerged in Federal republic of germany and spread to other countries in the 1950s, Zero Group was a group of artists united by the desire to move away from the subjectivity of post-war movements, focusing instead on the materiality, color, vibration, light, and movement of pure abstract art. The main protagonists of the group were Heinz Mack, Otto Piene, and Günther Uecker.